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| UK Distribution Hub: | 1 |
| German Distribution Hub: | 1 |
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1-year warranty & 30-day money-back guarantee included
If you decide your order isn't suitable for any reason you can return it - just let us know within 60 days of receiving it. Please keep hold of all the original packaging until you're sure you want to keep the order.
Eligibility for Money Back Guarantee
Important: For hygiene and software licensing reasons, some items are only eligible for our Money Back Guarantee if they are returned to us unused and sealed in the original packaging with all software still "unregistered." Details of exclusions are shown within the product descriptions. Products include:
- Monitors and Headphones
- Earplugs and Ear Protection
- Reeds and mouthpieces for woodwind and brass instruments
- Mouth and Lip-Care Products
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We can collect your return for a small fee, or you can send it back to us yourself. The collection fee can be found in the returns information on each product's page on Gear4music.
In the unlikely event that any item in this order is faulty, damaged or incorrect on receipt, notify us within 14 days and we'll arrange a free collection.
When returning an order please ensure products are appropriately packaged and protected, to prevent them from getting damaged.
This table provides an overview of your statutory consumer rights, compared with our standard returns policy and optional extended money back guarantee and warranty.
| UK & Europe | EU Standard | Gear4music Standard | Gear4music Optional |
|---|---|---|---|
| Return Period | 14 days | 60 days | up to 180 days |
| Standard delivery charges refunded? | Yes | Yes | Yes, up to 30 days |
| Upgraded delivery charges refunded? | Standard costs only | Standard costs only | Standard costs only |
| Free collection on cancellation | No | No | Yes, up to 30 days |
| Free collection if defective, delivered damaged or incorrect item | Yes, within 14 days | Yes, within 14 days | Yes, within 30 days |
We are unable to accept returns of any custom made items designed to work together as a unique package and some items are only eligible for money back guarantee if they are returned to us unused and sealed in the original packaging. For full information on our returns policy, please refer to our returns and refunds information guide.
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Key Features
A classic reborn. Meet the Warm Audio WA-67 Tube Microphone. If you're not familiar with the '67 style microphone you've certainly heard it. It was used to capture the legendary tones of Jimi Hendrix on "All Along the Watchtower", it made Freddie Mercury's piano shine during the recording of "Bohemian Rhapsody" and was Renaud Letang's number one choice to record Feist's vocals during the making of "The Reminder". Now thanks to Warm Audio, you too can become part of the legacy at a fraction of the cost.
At the heart of the WA-67 lies a EF86 pentode tube. From drums to vocals, and acoustic instruments to amplified. Every source that comes into contact with the tube microphone will sound smooth, fat and creamy thanks to this premium component. The WA-67 comes complete with a stylish, premium wooden storage box, power-supply, shock-mount and dedicated 7-pin cable. Its rugged, durable design ensures it can withstand the vigors of live performance and continued use, which is just as well, as it'll never be in your mic locker for long!
Nearly New: This product may have been opened for quality control purposes, returned by a customer, refurbished, or may have non-essential parts or software missing. Otherwise, the product operates as new. This is a great opportunity to buy a fully functioning product at a discounted price.
Product Ref: 301477
When it comes to Warm Audio, there's absolutely no compromises. Not only do their microphones look the part, they sound it too. A great amount of time and effort was spent during the research and design stage to ensure that the WA-67 is as close as it can get to its predecessor. No expenses were spared in the lengths the company went to when it came to recreating the tube microphone's discrete circuitry. The capsule that lies within the WA-67 is virtually identical, not only is it constructed entirely out of brass, it also features the exact same hole pattern as the original. Warm Audio ensured that only the finest boutique components were used to guarantee that the end result was nothing short of exceptional.
Each and every component was carefully considered and sourced from a wide variety of suppliers. Boutique polypropylene caps were chosen from Wima and a large output capacitor from Solen. The on-board transformer was sourced from Lundahl in Sweden, this is one of the key components that allows the WA-67 to achieve its signature smooth, detailed frequency response and larger-than-life 3D sound. For maximum aesthetic appeal, the tube microphones comes complete in a sleek nickel-plated brass body and headbasket. Not only does this provide optimised protection, it also helps protect the microphone from electrical interference.
Although easy to over-look. Warm Audio desire to provide their customers with the greatest components possible. That's why lots of time was spent learning about the inner workings of 7-pin cables. The end-result of this hard work saw the collaboration between Warm Audio and Swiss company, Gotham Audio. The GAC-7 cable is the perfect pairing. Sonically superior, it enhances top end presence and guarantees a tight, focused image with minimal phase shift.
Boasting three polar patterns, the WA-67 is a real work-horse;
Cardioid is excellent for delivering a tight-focused sound, whilst providing excellent off-axis rejection of around -6dB of unwanted noise and ambience. This is a great polar pattern to rely on when recording live performances, either on-stage, or, in-the-studio.
Figure-8 picks up sound from the front and the back of the capsule whilst rejecting all sound coming from the side. This pattern has been a go-to trick for many producers recording two background vocals. When paired with another figure-8 microphone and carefully positioned it can also work wonders on capturing vocals and guitar from a single performer simultaneously. However, beware. Utilising this positioning enhances close proximity effect which can lead to an unnatural amount of low-end being reproduced by the microphone. There's good reason why many radio broadcasters opt for this pattern!
When you want to capture natural recordings it doesn't get much better than omni. Omnidirectional means that sound is picked up by the capsule within a 360 degree radius. Selecting this pattern allows you to get up-close on sources without the risk of proximity effect being introduced. This is a favoured pattern for many Grammy award winning engineers and producers when recording multiple string and brass players. It can also make the "Levee Break" when heavily compressed and used for drum room microphones!
